By: Alex Pulec

The music scene in Toronto in the year 2008 belongs to no one. It’s somewhat of an enormous multiculturalism which some may think of a good or bad thing. Due to the rise of hipster blogs and other internet branding centers, (myspace, Imeem) I find one must possess an “ignorance is bliss” attitude when approaching most of Toronto’s new artists. It’s important to have a clean slate and realize the power to make a decision for yourself. One of Toronto’s most standout new groups have just put out their debut record. Truly fresh and sticking out from the heap of this town’s redundant “indie pop” circle, I would like to introduce, Major Grey.

The record begins with “Clarence of the 5th Brigade” that just explodes with a frenzied bass and drum groove that provides as a strong opener. Suddenly, a female choir shines in through the clouds and immediately sets the bar high for the rest of the album. “Survivor of the Past” sounds like it could be the obvious single choice, full of group vocal chanting, washy strings and synth. The song begs to be echoing live in a big theatre. Its lyrics are especially strong and radiate the turn of a new era full of nostalgia. The band then takes a step back with “Poor John Doe” recalling many clichés of the 60’s era, but managing to have it sound modern. Somewhat of a throwback possibly the band just giving playful nods to their forbearers.

By now, you start to notice how much Andrews’s vocals really shine and they only get better. A voice that stands up strong in our Torontonian music culture. He possesses the same vocal mood swings of Prince and Bowie, yet Andrew never comes through as an imitator, only full of sincerity and conviction. I know those are grandiose comparisons, but I need to remind you that I am not talking about the “sound” of his voice but more specifically the spirit that he channels up.  Andrew is a story teller who has the ability to belt it and rock.

As the first side comes to a close Major Grey treats us to a little surprise called “Pulleys and Anchors”, which is somewhat a departure from the other songs sporting the most cascading chorus and Andrew’s vocal wailing at his best. It serves as a great interlude introducing you to the second half.  The band gets darker with the appropriately titled “The Werewolf” and then gives you bitter sweet tingles with “A Simple S.O.S.”.

“You Can If You Want” is the best closing track in an independent pop record that I have heard in a long time. My personal favorite, it reveals Major Grey’s songwriting at their best.  It is full of nostalgic lyrics, memorable melodies and honest vocals. It even sports 1980’s 8-bit keyboard sounds that remind you of your old Super Nintendo game console! Intentional or not, it leaves you with a great feeling and most likely pressing play to start track one again.

Overall, the album is tightly packed with unique and intelligent pop songs with bittersweet nostalgia sprinkled all over it. Major Grey constantly grows on you each time you hear it, as you start falling in love with a different song each time and leaning in a little closer into your stereo. Although, a touch short, this self titled debut has more than enough compelling moments to remain memorable and begs for multiple listens. Major Grey is a blue print of an exciting future to come, a wonderful debut rising up from the asphyxiation of Toronto.

This entry was posted on Monday, August 18th, 2008 at 1:24 pm.